The Trongone Band:
Hailing from Richmond, VA, The Trongone Band is touring in support of their 2017 debut album, “Keys to the House”, released on Harmonized Records. With a sound that Paste Magazine likens to the “freak-outs of My Morning Jacket with the Muscle Shoals-inspired Leslie speakers and The Band’s narrative storytelling”, The Trongone Band is turning heads and making an impact on the Southern Rock ‘n’ Soul and Americana scenes.
Formed by brothers Andrew and Johnny Trongone with father John Sr on bass, The Trongone Band (tron-GO-knee) has grown from a family affair, playing a weekly sold out residency at Richmond’s Cary Street Cafe, to a full on touring machine with the addition of keyboardist Ben “Wolfe” White and bassist Todd Herrington. In the words of Live for Live Music, “the quartet has come together to create an old-school and all-in-the-family sound reminiscent of the Allman Brothers while still keeping it fresh with their cutting edge original compositions that also infuse funk and blues into the mix.”
Keeping with the homegrown vibe, the band nestled into the woods outside of RVA, tapping into Montrose Recording’s Flickinger console, one of only seven remaining in the world. Known as the console that revolutionized the recording industry in the 60s & 70s, the Flickinger provided the warm sounds that turned into “Keys to the House” and brought to life what MusicFestNews described as “imagery of boxcar drifters, rolling hills and dirt roads that are easy to close your eyes and get lost in”.
Summer and Fall of 2017 saw The Trongone Band taking “Keys to the House” on the road while touring in support of Americana stalwarts Reckless Kelly, American Aquarium and Cris Jacobs. Having graced the stages of Virginia’s Roosterwalk, Tennessee’s Riverbend Music Festival, Florida’s Riverhawk Festival, West Virginia’s Deep Roots Mountain Revival and The Allman Brothers’ Peach Festival, the band is primed for a busy 2018 festival season. This four-piece ensemble may not all be related, but with a chemistry so emphatically discernible, it's fair to call them brothers.
Baltimore's own Deaf Scene is quickly becoming recognized as a standout band on a regional and national level, bringing a powerful blend of Post-Rock, Grunge, Progressive Metal, and Jazz-Fusion to their songs and live shows. This ever-evolving instrumental power-trio has consciously embraced walking a musical road-less-traveled since their inception in 2010. Along the way they have cultivated a dedicated following with their sonically-expansive live performances and their solid studio work. Straddling a gray area between the progressive cacophonies of Tool, ethereal soundscapes of Explosions in the Sky, and the sludgy twinge of Primus, Deaf Scene has forged a sound that is uniquely their own. Dave Fullerton’s effects-laden guitar melodies cascade over thick layers of looped sounds, while Eric Courtney’s intricate bass runs and Brett Schatz’s precise whirlwind of drumming give structure and groove to the chaos. What they're able to accomplish on stage, as a three-piece band with no vocals, often surprises listeners who have never seen Deaf Scene in concert. The band works together beautifully through seamless sets of original songs, intersected by ambient samples and drones, generating “a sound that you would never imagine could come from three dudes” (89.7 WTMD).